My job as a colorist is to make your job easier and your project just a little bit better without breaking your budget or schedule, and that starts with helping your editor move your final timeline into my davinci resolve grading software, safely and painlessly…
[vc_row][vc_column][vc_column_text] Today’s Lab [/vc_column_text][vc_column_text] Mark Todd Osborne Says It All… [/vc_column_text][vc_column_text el_class=”H Paragraph Text”]Mark Todd Osborne has been a Colorist for around 25 years now, based in Los Angeles, and is a fellow member of both the Colorist Society International and the Digital Cinema Society. Recently he came out with a statement that is short […]
The COVID-19 Pandemic has thrown the entire world into disarray at a time when things were looking very positive for many of us in the film and video post and production industry.
Color grading in the film and video worlds has always been a heavily technical occupation. It always will be, because a major part of your responsibility is ensuring that your project meets the precise standards of broadcast and distribution companies.
“Rule 1: NEVER make a cut without a positive reason.”
We had a call to shoot a time lapse program for an agency and their solar system client in San Francisco just the other day.